Lena Horne

 Lena Mary Calhoun Horne  (June 30, 1917 – May 9, 2010) was an American singer, dancer, actress, and civil rights activist. Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performer before moving to Hollywood, where she had small parts in numerous movies, and more substantial parts in the films Cabin in the Sky and Stormy Weather. Because of the Red Scare and her left-leaning political views, Horne found herself blacklisted and unable to get work in Hollywood.[ 1 ]  Her career spanned over 70 years appearing in film, television and on broadway.

Returning to her roots as a nightclub performer, Horne took part in the March on Washington in August 1963, and continued to work as a performer, both in nightclubs and on television, while releasing well-received record albums. She announced her retirement in March 1980, but the next year starred in a one-woman show, Lena Horne: The Lady and Her Music, which ran for more than three hundred performances on Broadway and earned her numerous awards and accolades. She continued recording and performing sporadically into the 1990s, disappearing from the public eye in 2000.

Early life
Lena Horne was born in Bedford–Stuyvesant, Brooklyn.[ 1 ]  Reportedly descended from the John C. Calhoun family, both sides of her family were a mixture of European American, Native American, and African-American descent, and belonged to the upper stratum of middle-class, well-educated people.[ 2 ] [ 3 ]

Her father, Edwin Fletcher "Teddy" Horne, Jr. (1893–1970),[ 4 ] [ 5 ]  a numbers kingpin in the gambling trade, left the family when she was three and moved to an upper-middle-class black community in the Hill District community of Pittsburgh, Pennsylvania.[ 6 ] [ 7 ]  Her mother, Edna Louise Scottron (1894–1976), daughter of inventor Samuel R. Scottron, was an actress with a black theatre troupe and traveled extensively. Scottron's maternal grandmother, Amelie Louise Ashton, was a Senegalese slave.[ 8 ]  Horne was mainly raised by her grandparents, Cora Calhoun and Edwin Horne.[ 5 ]

When Horne was five, she was sent to live in Georgia.<span class="reference" id="cite_ref-TonightShow_9-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 9 ]  For several years, she traveled with her mother.<span class="reference" id="cite_ref-GAencyclopedia_10-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ]  From 1927 to 1929 she lived with her uncle, Frank S. Horne, Dean of Students at Fort Valley Junior Industrial Institute (now part of Fort Valley State University) in Fort Valley, Georgia,<span class="reference" id="cite_ref-GAencyclopedia_10-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ]  who would later serve as an adviser to President Franklin Delano Roosevelt.<span class="reference" id="cite_ref-11" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 11 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">From Fort Valley, southwest of Macon, Horne briefly moved to Atlanta with her mother; they returned to New York when Horne was 12 years old.<span class="reference" id="cite_ref-GAencyclopedia_10-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ]  She then attended Girls High School, an all-girls public high school in Brooklyn that has since become Boys and Girls High School; she dropped out without earning a diploma. Aged 18, she moved in with her father in Pittsburgh, staying in the city's Little Harlemfor almost five years and learning from native Pittsburghers Billy Strayhorn and Billy Eckstine, among others.<span class="reference" id="cite_ref-12" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 12 ]

<span class="mw-headline" id="Road_to_Hollywood" style="box-sizing:border-box;">Road to Hollywood
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In the fall of 1933, Horne joined the chorus line of the Cotton Club in New York City. In the spring of 1934, she had a featured role in the Cotton Club Parade starring Adelaide Hall, who took Lena under her wing. A few years later Horne joined Noble Sissle's Orchestra, with which she toured and with whom she recorded her first record release, a 78rpm single issued byDecca Records. After she separated from her first husband, Horne toured with bandleader Charlie Barnet in 1940–41, but disliked the travel and left the band to work at the Café Societyin New York. She replaced Dinah Shore as the featured vocalist on NBC's popular jazz series The Chamber Music Society of Lower Basin Street. The show's resident maestros, Henry Levine and Paul Laval, recorded with Horne in June 1941 for RCA Victor. Horne left the show after only six months when she was hired by former Cafe Trocadero (Los Angeles) manager Felix Young to perform in a Cotton Club-style revue on the Sunset Strip in Hollywood,<span class="reference" id="cite_ref-ReferenceA_13-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 13 ]  and was replaced by actress Betty Keene of the Keene sisters.<span class="noprint Inline-Template Template-Fact" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;white-space:nowrap;">[<span data-title="This claim needs references to reliable sources. (November 2011)" style="box-sizing:border-box;">citation needed] Lena Horne photographed by Carl Van Vechten, 1941<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Horne already had two low-budget movies to her credit: a 1938 musical feature called The Duke is Tops (later reissued with Horne's name above the title as The Bronze Venus); and a 1941 two-reel short subject, Boogie Woogie Dream, featuring pianists Pete Johnsonand Albert Ammons. Horne's songs from Boogie Woogie Dream were later released individually as soundies. Horne made her Hollywood nightclub debut at Felix Young's Little Troc on the Sunset Strip in January 1942.<span class="reference" id="cite_ref-ReferenceA_13-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 13 ]  A few weeks later, she was signed byMetro-Goldwyn-Mayer, becoming the first black performer to sign a long-term contract with a major Hollywood studio.<span class="reference" id="cite_ref-14" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 14 ]  In November 1944, she was featured in an episode of the popular radio series Suspense, as a fictional nightclub singer, with a large speaking role along with her singing. In 1945 and 1946, she sang with Billy Eckstine's Orchestra.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">She made her debut at Metro-Goldwyn-Mayer in Panama Hattie (1942) and performed the title song of Stormy Weather based loosely on the life of Adelaide Hall, (1943), which she made at 20th Century Fox, on loan from MGM. She appeared in a number of MGMmusicals, most notably Cabin in the Sky (also 1943), but was never featured in a leading role because of her race and the fact that films featuring her had to be re-edited for showing in states where theaters could not show films with black performers. As a result, most of Horne's film appearances were stand-alone sequences that had no bearing on the rest of the film, so editing caused no disruption to the storyline; a notable exception was the all-black musical Cabin in the Sky, although one number was cut because it was considered too suggestive by the censors. "Ain't it the Truth" was the song (and scene) cut before the release of the film Cabin in the Sky. It featured Horne singing "Ain't it the Truth", while taking a bubble bath (considered too "risqué" by the film's executives). This scene and song are featured in the film ''[https://www.wikiwand.com/en/That%27s_Entertainment!_III That's Entertainment! III]'' (1994) which also featured commentary from Horne on why the scene was deleted prior to the film's release. Lena Horne was the first African-American elected to serve on the Screen Actors Guild board of directors. Horne in Till the Clouds Roll By, 1946<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In Ziegfeld Follies (1946) she performed "Love" by Hugh Martin and Ralph Blane. Horne wanted to be considered for the role of Julie LaVerne in MGM's 1951 version of Show Boat (having already played the role when a segment of Show Boat was performed in Till the Clouds Roll By) but lost the part to Ava Gardner, a personal friend in real life. Horne claimed this was due to the Production Code's ban on interracial relationships in films, but MGM sources state she was never in contention for the role in the first place. In the documentary ''That's Entertainment! III'' Horne stated that MGM executives required Gardner to practice her singing using Horne's recordings, which offended both actresses. Ultimately, Gardner's voice was overdubbed by actress Annette Warren (Smith) for the theatrical release.

<span class="mw-headline" id="Changes_of_direction" style="box-sizing:border-box;">Changes of direction
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">By the mid-1950s, Horne was disenchanted with Hollywood and increasingly focused on her nightclub career. She only made two major appearances in MGM films during the 1950s: Duchess of Idaho (which was also Eleanor Powell's film swan song); and the 1956 musical Meet Me in Las Vegas. She was blacklisted during the 1950s for her political views.<span class="reference" id="cite_ref-15" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 15 ]  She returned to the screen three more times, playing chanteuse Claire Quintana in the 1969 film Death of a Gunfighter, Glinda in The Wiz (1978), a film younger audience members recognize her from, and co-hosting the MGM retrospective ''That's Entertainment! III'' (1994), in which she was candid about her treatment by the studio.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">After leaving Hollywood, Horne established herself as one of the premier nightclub performers of the post-war era. She headlined at clubs and hotels throughout the U.S., Canada, and Europe, including the Sands Hotel in Las Vegas, the Cocoanut Grove in Los Angeles, and the Waldorf-Astoria in New York. In 1957, a live album entitled, Lena Horne at the Waldorf-Astoria,became the biggest selling record by a female artist in the history of the RCA Victor label. In 1958, Horne became the first African American woman to be nominated for a Tony Award for "Best Actress in a Musical" (for her part in the "Calypso" musical Jamaica) which, at Lena's request featured her longtime friend Adelaide Hall. Horne performing on The Bell Telephone Hour, 1965.<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">From the late 1950s through the 1960s, Horne was a staple of TV variety shows, appearing multiple times on Perry Como's Kraft Music Hall, The Ed Sullivan Show, The Dean Martin Show, and The Bell Telephone Hour. Other programs she appeared on included The Judy Garland Show, The Hollywood Palace, and The Andy Williams Show. Besides two television specials for the BBC (later syndicated in the U.S.), Horne starred in her own U.S. television special in 1969, Monsanto Night Presents Lena Horne. During this decade, the artist Pete Hawley painted her portrait for RCA Victor, capturing the mood of her performance style.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1970, she co-starred with Harry Belafonte in the hour-long Harry & Lena for ABC; in 1973, she co-starred with Tony Bennett in Tony and Lena. Horne and Bennett subsequently toured the U.S. and U.K. in a show together. In the 1976 program America Salutes Richard Rodgers, she sang a lengthy medley of Rodgers songs with Peggy Lee and Vic Damone. Horne also made several appearances on The Flip Wilson Show.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Additionally, Horne played herself on television programs such as The Muppet Show, Sesame Street, and Sanford and Son in the 1970s, as well as a 1985 performance on The Cosby Show and a 1993 appearance on A Different World. In the summer of 1980, Horne, 63 years old and intent on retiring from show business, embarked on a two-month series of benefit concerts sponsored by the sororityDelta Sigma Theta. These concerts were represented as Horne's farewell tour, yet her retirement lasted less than a year.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">On April 13, 1980, Horne, Luciano Pavarotti, and host Gene Kelly were all scheduled to appear at a Gala performance at the Metropolitan Opera House to salute the N Y City Center's Joffrey Ballet Company. However, Pavarotti's plane was diverted over the Atlantic and he was unable to appear. James Nederlander was an invited Honored Guest and noted that only three people at the sold out Metropolitan Opera House asked for their money back. He asked to be introduced to Lena following her performance. In May 1981, The Nederlander Organization, Michael Frazier, and Fred Walker went on to book Horne for a four-week engagement at the newly named Nederlander Theatre (formerly the Trafalgar, the Billy Rose, and the National) on West 41st Street in New York City. The show was an instant success and was extended to a full year run, garnering Horne a special Tony award, and two Grammy Awards for the cast recording of her show Lena Horne: The Lady and Her Music. The 333-performance Broadway run closed on Horne's 65th birthday, June 30, 1982. Later that same week, the entire show was performed again and videotaped for television broadcast and home video release. The tour began a few days later at Tanglewood (Massachusetts) during the July 4, 1982 weekend. The Lady and Her Music toured 41 cities in the U.S. and Canada through June 17, 1984. It played in London for a month in August and ended its run in Stockholm, Sweden, September 14, 1984.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1981, she received a Special Tony Award for her one-woman show, Lena Horne: The Lady and Her Music, which also played to acclaim at the Adelphi Theatre in London in 1984.<span class="reference" id="cite_ref-16" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 16 ]  Despite the show's considerable success (Horne still holds the record for the longest-running solo performance in Broadway history), she did not capitalize on the renewed interest in her career by undertaking many new musical projects. A proposed 1983 joint recording project between Horne and Frank Sinatra (to be produced by Quincy Jones) was ultimately abandoned, and her sole studio recording of the decade was 1988's The Men in My Life, featuring duets with [https://www.wikiwand.com/en/Sammy_Davis,_Jr. Sammy Davis, Jr.] and Joe Williams. In 1989, she received the Grammy Lifetime Achievement Award.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The 1990s found Horne considerably more active in the recording studio. Following her 1993 performance at a tribute to the musical legacy of her good friend Billy Strayhorn (Duke Ellington's longtime collaborator), she decided to record an album composed largely of Strayhorn's and Ellington's songs the following year, We'll Be Together Again. To coincide with the release of the album, Horne made what would be her final concert performances at New York's Supper Club and Carnegie Hall. That same year, Horne also lent her vocals to a recording of "Embraceable You" on Sinatra's Duets II album. Though the album was largely derided by critics, the Sinatra-Horne pairing was generally regarded as its highlight.<span class="noprint Inline-Template Template-Fact" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;white-space:nowrap;">[<span data-title="This claim needs references to reliable sources. (November 2011)" style="box-sizing:border-box;">citation needed]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1995, a 'live' album capturing her Supper Club performance was released (subsequently winning a Grammy Award for Best Jazz Vocal Album). In 1998, Horne released another studio album, entitled Being Myself. Thereafter, Horne essentially retired from performing and largely retreated from public view, though she did return to the recording studio in 2000 to contribute vocal tracks on Simon Rattle's Classic Ellington album.<span class="noprint Inline-Template Template-Fact" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;white-space:nowrap;">[<span data-title="This claim needs references to reliable sources. (November 2011)" style="box-sizing:border-box;">citation needed]

<span class="mw-headline" id="Civil_rights_activism" style="box-sizing:border-box;">Civil rights activism
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Horne was long involved with the Civil Rights movement. In 1941, she sang at Cafe Society and worked with Paul Robeson. During World War II, when entertaining the troops for the USO, she refused to perform "for segregated audiences or for groups in which German POWs were seated in front of African American servicemen",<span class="reference" id="cite_ref-17" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 17 ]  according to her Kennedy Centerbiography. Because the U.S. Army refused to allow integrated audiences, she wound up putting on a show for a mixed audience of black U.S. soldiers and white German POWs. Seeing the black soldiers had been forced to sit in the back seats, she walked off the stage to the first row where the black troops were seated and performed with the Germans behind her. She was at an NAACP rally with Medgar Evers in Jackson, Mississippi, the weekend before Evers was assassinated. She also met President John F. Kennedy at the White House two days before he was assassinated. She was at the March on Washington and spoke and performed on behalf of the NAACP, SNCC, and the National Council of Negro Women. She also worked withEleanor Roosevelt to pass anti-lynching laws.<span class="reference" id="cite_ref-18" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 18 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Tom Lehrer mentions her in his song "National Brotherhood Week" in the line "Lena Horne and Sheriff Clark are dancing cheek to cheek" referring (wryly) to her and to Sheriff Jim Clark, ofSelma, Alabama, who was responsible for a violent attack on civil rights marchers in 1965.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 1983, she was awarded the Spingarn Medal from the NAACP.<span class="reference" id="cite_ref-19" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 19 ]

<span class="mw-headline" id="Personal_life" style="box-sizing:border-box;">Personal life
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Horne married Louis Jordan Jones in January 1937 in Pittsburgh. On December 21, 1937, their daughter, Gail (later known as Gail Lumet Buckley, a writer) was born there.<span class="reference" id="cite_ref-20" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 20 ]  They had a son, Edwin Jones (born February 7, 1940 – September 12, 1970)<span class="reference" id="cite_ref-Vh1_4-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 4 ]  who died of kidney disease.<span class="reference" id="cite_ref-LAT_5-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 5 ]  Horne and Jones separated in 1940 and divorced in 1944.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Horne's second marriage was to Lennie Hayton, who was Music Director and one of the premier musical conductors and arrangers at MGM, in December 1947 in Paris. They separated in the early 1960s, but never divorced; he died in 1971.<span class="reference" id="cite_ref-21" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 21 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In her as-told-to autobiography Lena by Richard Schickel, Horne recounts the enormous pressures she and her husband faced as an interracial couple. She later admitted in an interview in Ebony (May 1980), she had married Hayton to advance her career and cross the "color-line" in show business.<span class="reference" id="cite_ref-22" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 22 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Screenwriter Jenny Lumet, known for her award-winning screenplay Rachel Getting Married, is Horne's granddaughter, the daughter of filmmaker Sidney Lumet and Horne's daughter Gail.<span class="reference" id="cite_ref-23" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 23 ]  Her other grandchildren include Gail's other daughter, Amy Lumet, and her son's three children, Thomas, William, and Lena. Her great-grandchildren include the actor Jake Cannavale.<span class="reference" id="cite_ref-24" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 24 ]

Death
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Horne died on May 9, 2010, in New York City <span class="reference" id="cite_ref-25" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 25 ]  The funeral took place at St. Ignatius Loyola Church on Park Avenue in New York. Thousands gathered and attendees included Leontyne Price, Dionne Warwick, Liza Minnelli, Jessye Norman, Chita Rivera, Cicely Tyson, Diahann Carroll, Leslie Uggams, Lauren Bacall, Robert Osborne, Audra McDonald and Vanessa Williams.<span class="reference" id="cite_ref-26" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 26 ] <span class="noprint Inline-Template Template-Fact" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;white-space:nowrap;">[''[https://www.wikiwand.com/en/Wikipedia:Citation_needed <span data-title="This claim needs references to reliable sources. (October 2014)" style="box-sizing:border-box;">citation needed ]'']

Legacy
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 2003, ABC announced that Janet Jackson would star as Horne in a television biographical film. In the weeks following Jackson's "wardrobe malfunction" debacle during the 2004 Super Bowl, however, Variety reported that Horne demanded Jackson be dropped from the project. "ABC executives resisted Horne's demand", according to the Associated Press report, "but Jackson representatives told the trade newspaper that she left willingly after Horne and her daughter, Gail Lumet Buckley, asked that she not take part." Oprah Winfrey stated to Alicia Keys during a 2005 interview on The Oprah Winfrey Show that she might possibly consider producing the biopic herself, casting Keys as Horne.<span class="noprint Inline-Template Template-Fact" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;white-space:nowrap;">[<span data-title="This claim needs references to reliable sources. (November 2011)" style="box-sizing:border-box;">citation needed]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In January 2005, Blue Note Records, her label for more than a decade, announced that "the finishing touches have been put on a collection of rare and unreleased recordings by the legendary Horne made during her time on Blue Note." Remixed by her longtime producer Rodney Jones, the recordings featured Horne in remarkably secure voice for a woman of her years, and include versions of such signature songs as "Something to Live For", "Chelsea Bridge", and "Stormy Weather". The album, originally titled Soul but renamed Seasons of a Life, was released on January 24, 2006.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 2007, Horne was portrayed by Leslie Uggams as the older Lena and Nikki Crawford as the younger Lena in the stage musical Stormy Weather staged at the Pasadena Playhouse in California (January through March 2009).

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In 2011, Horne was also portrayed by actress Ryan Jillian in a one-woman show titled "Notes from A Horne" staged at the Susan Batson studio in New York City, from November 2011 to February 2012.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The 83rd Academy Awards presented a tribute to Horne by actress Halle Berry at the ceremony held February 27, 2011.<span class="reference" id="cite_ref-27" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 27 ]

<span class="mw-headline" id="As_featured_vocalist" style="box-sizing:border-box;">As featured vocalist
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Issued in 1936 on 78rpm 10" vinyl by Decca Records on Decca 778B. Credits Noble Sissle and his Orchestra,<span class="reference" id="cite_ref-35" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 35 ]  Lena Horne was credited as Helena Horne for this recording. Recorded on November 3, 1936 in New York.
 * A:"That's What Love Did To Me" (Sammy Cahn, Saul Chaplin) / B:"I Take To You" (Mack Gordon, Harry Warren)
 * "Stormy Weather" (1943) #21 U.S. Pop
 * "One for My Baby (and One More for the Road)" (1945) #21 U.S. Pop
 * "'Deed I Do" (1948) #26 U.S. Pop
 * "Love Me or Leave Me" (1955) #19 U.S. Pop
 * "Now!" (1963) #92 U.S. Pop
 * "Watch What Happens" (w/Gabor Szabo) (1970) #119 U.S. Pop