Victoria Spivey

Victoria Spivey (October 15, 1906 – October 3, 1976)[1] [2]  was an American blues singer and songwriter. During a recording career that spanned forty years, from 1926 to the mid-1960s, she worked with Louis Armstrong, King Oliver,Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan.[3]  She also performed in vaudeville and clubs, sometimes with her sister, Addie "Sweet Pease" Spivey. Among her compositions are "Black Snake Blues", "Dope Head Blues" and "Organ Grinder Blues". In 1962 she initiated her own recording label, Spivey Records.



Contents
[hide]  *1 Life and career  ==Life and career[ edit] == She was born Victoria Regina Spivey in Houston, Texas, United States,[4]  the daughter of Grant and Addie (Smith) Spivey. Her father was a part-time musician and aflagman for the railroad; her mother was a nurse. Her sisters were Addie "Sweet Peas" Spivey (1910–1943), also a singer and musician, who recorded for several majorrecord labels between 1929 and 1937; and Elton Island Spivey (1900–1971), who also sang professionally.[5]
 * 2 Selected discography
 * 3 See also
 * 4 References
 * 5 Bibliography
 * 6 External links

Spivey's first professional experience was in a family string band led by her father in Houston. After Grant Spivey died, the seven-year-old Victoria played on her own at local parties and, in 1918, was hired to accompany films at the Lincoln Theater in Dallas.[6]  As a teenager, she worked in local bars, nightclubs, and buffet flats, mostly alone, but occasionally with singer-guitarists such as Blind Lemon Jefferson.[4]  In 1926, she moved to St. Louis, Missouri, where she was signed by Okeh Records. Her first recording, "Black Snake Blues", did well, and her association with the record label continued. She made numerous Okeh sides in New York until 1929, then switched to the RCA Victor label. Between 1931 and 1937, more recordings followed on the Vocalion and Decca labels,[4]  and, working out of New York, she maintained an active performance schedule. Spivey's recorded accompanists included King Oliver, Louis Armstrong, Lonnie Johnson, and Red Allen.<sup class="reference" id="cite_ref-russell_5-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[5]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">The Depression did not put an end to Spivey's musical career; she found a new outlet for her talent in the year of the crash, when film director King Vidor cast her to play "Missy Rose" in his first sound film, Hallelujah! (1929).<sup class="reference" id="cite_ref-7" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[7]  Through the 1930s and 1940s, Spivey continued to work in musical films and stage shows, often with her husband, vaudeville dancer Billy Adams, including the Hellzapoppin' Revue.<sup class="reference" id="cite_ref-Trail_4-3" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[4]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1951, Spivey retired from show business to play the pipe organ and lead a church choir, but she returned to secular music in 1961, when she was reunited with an old singing partner, Lonnie Johnson, to appear on four tracks on his Prestige Bluesville album, Idle Hours. The folk music revival of the 1960s gave her further opportunities to make at least a semblance of a comeback. She recorded again for Prestige Bluesville, sharing an album Songs We Taught Your Mother with fellow veterans Alberta Hunter and Lucille Hegamin and began making personal appearances at festivals and clubs, including the 1963 European tour of the American Folk Blues Festival.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In 1962, Spivey and jazz historian Len Kunstadt launched Spivey Records, a low-budget label dedicated to blues and related music. They recorded prolifically such performers as Sippie Wallace, Lucille Hegamin, Otis Rush, Otis Spann, Willie Dixon, Roosevelt Sykes, Big Joe Turner, Buddy Tate and Hannah Sylvester, as well as newer artists including Luther Johnson, Brenda Bell, Washboard Doc, Bill Dicey, Robert Ross, Sugar Blue, Paul Oscher, Danny Russo and Larry Johnson.<sup class="reference" id="cite_ref-Trail_4-4" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[4]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">In March 1962, Bob Dylan contributed harmonica and back-up vocals, accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. The recordings were released on Three Kings And The Queen (Spivey LP 1004) and Kings And The Queen Volume Two (Spivey LP 1014). (Dylan was listed under his own name on the record covers.)<sup class="reference" id="cite_ref-8" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[8]  In 1964 Spivey made her only recording with an all-white band: the Connecticut based Easy Riders Jazz Band, led by trombonist Big Bill Bissonnette. It was released first on an LP and later re-released on compact disc.

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Spivey married four times; her husbands included Ruben Floyd and Billy Adams.<sup class="reference" id="cite_ref-emory_1-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[1]

<p style="margin-top:0.5em;margin-bottom:0.5em;line-height:17.9200000762939px;color:rgb(37,37,37);font-family:sans-serif;font-size:14.3999996185303px;">Victoria Spivey died in New York on October 3, 1976, at the age of 69, from an internal haemorrhage.<sup class="reference" id="cite_ref-allmusic_3-1" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[3] <sup class="reference" id="cite_ref-NME_Rock_.27N.27_Roll_Years_9-0" style="line-height:1;unicode-bidi:-webkit-isolate;font-size:11.1999998092651px;">[9] ==Selected discography<span class="mw-editsection" style="-webkit-user-select:none;font-size:small;margin-left:1em;line-height:1em;display:inline-block;white-space:nowrap;unicode-bidi:-webkit-isolate;font-family:sans-serif;"><span class="mw-editsection-bracket" style="color:rgb(85,85,85);">[ edit<span class="mw-editsection-bracket" style="color:rgb(85,85,85);">] ==
 * Music Down Home: An Introduction to Negro Folk Music, U.S.A. (1965)
 * The Blues is Life (1976)
 * Classic Piano Blues from Smithsonian Folkways (2008)