Heiner Goebbels

Heiner Goebbels (born 17 August 1952) is a German composer, director and professor at Justus-Liebig-University in Gießen and artistic director of the International Festival of the Arts Ruhrtriennale 2012 - 2014.

Contents
[hide]
 * 1 Biography
 * 2 Works (Selection)
 * 2.1 Stage works
 * 2.2 Orchestra works
 * 2.3 Ensemble works
 * 2.4 Chamber music
 * 2.5 Installative works
 * 3 Notes
 * 4 External links

Biography[edit]
Goebbels, who studied sociology and music in Frankfurt/Main,[1] is a composer of ensemble works and compositions for large orchestra, he created several prize-winning radio plays, staged concerts, and since the early 90's music theatre works, which are invited to the most important theatre- and music festivals worldwide.

Goebbels co-founded the "Sogenanntes Linksradikales Blasorchester" (1976-1981) and avant-rock group Cassiber (1982–1992) with Alfred Harth, Chris Cutler and Christoph Anders. They toured extensively across Europe, Asia and North America, and made five albums. In October 1983 Cassiber (minus Anders) joined Duck and Cover, a commission from the Berlin Jazz Festival, for a performance in West Berlin, followed by another in February 1984 in East Berlin.

Some of his better-known work originated from his close collaboration with the East German writer Heiner Müller, resulting in stage compositions as well as shorter pieces (concerts as well as audio plays) based on Müller texts,[1] such asVerkommenes Ufer (Waste Shore, 1984), Die Befreiung des Prometheus (The Liberation of Prometheus, 1985), or Wolokolamsker Chaussee (Volokolamsk Highway, 1989).[citation needed] Goebbels' attempts to fill the space between theatre and opera left blank due to traditional genre borderline drawing[citation needed] has led to projects such as "Ou bien le débarquement désastreux" (Paris 1993), Schwarz auf Weiss (Black on White, 1996)[1] and Die Wiederholung (The Repetition, 1995).[citation needed] The political nature of his work is often referred to by critics.[citation needed] His interest in Heiner Müller can partly be explained by the political character of Müller's texts, as may be the case with his interest in Bertolt Brechtand Hanns Eisler, works by the latter he used in composing his staged concert Eislermaterial (1998).[citation needed] 1998 he also created the music theatre play "Max Black" with words by Paul Valery and others, in 2000 "Hashirigaki" afterGertrude Stein, 2002 his first opera "Landscape with distant relatives", 2004 the price winning "Eraritjaritjaka" with words by Elias Canetti, followed 2007 by the performative installation "Stifters Dinge" which has been performed more than 300 times in four continents. 2007 followed the staged concert "Songs of Wars I have seen" with words by Gertrude Stein - a commission by the London Sinfonietta and the Orchestra of the Age of Enlightenment, 2008 "I went to the House but did not enter" with the Hilliard Ensemble and words by Maurice Blanchot, Samuel Beckett a.o. In 2012 he created "When the Mountain changed its clothing" with the Choir Carmina Slovenica, and staged John Cage's "Europeras 1&2" 2012 andHarry Partch's "Delusion of the Fury" 2013 and Louis Andriessen's De Materie for the Ruhrtriennale International Festival of the Arts.

Goebbels' work is being increasingly acknowledged as he is being played and staged around the world and as his recordings are being published. He collaborated with the finest ensembles and orchestras - Ensemble Modern, Ensemble Intercontemporain, Ensemble musikFabrik, Asko/Schönberg, Berlin Philharmonics, Bochumer Symphoniker, Junge Deutsche Philharmonie, Brooklyn Philharmonic and many others and worked with conductors like Sir Simon Rattle, Peter Eotvos,Lothar Zagrosek, Peter Rundel, Steven Sloane and many others. In 2000 he collaborated with Piano Circus and composer Richard Harris to produce Scutigeras, which received a live BBC radio premiere in the UK. His Surrogate Cities, a work for big orchestra dating from 1994 and featuring texts from Paul Auster, Heiner Müller, and Hugo Hamilton, has been performed widely in Europe, the US and Australia and was nominated for a Grammy in the category Best Classical Contemporary Composition at the 43rd Grammy Awards in 2001.[2] His Eislermaterial won him another Grammy nomination at the 46th Grammy Awards in 2004, this time in the category Best Small Ensemble Performance (with or without conductor).[3]

His installative artwork "Stifters Dinge - the Unguided Tour" has been presented by Artangel in London (2012) and at the Ruhrtriennale in Duisburg (2013), "Genko-An" in Berlin (2008), Darmstadt Artists' Colony/Mathildenhöhe (2012) and Musée d'art contemporain de Lyon (2014). For the Centre Pompidou Paris he created the soundinstallations "Fin de Soleil" and "Timée"(2000) which was also exhibited at the ZKM Karlsruhe, the MACBA Barcelona, in Brugge and in Palazzo delle Esposizioni/Rome. He also closely collaborated on several videoinstallations with visual artist Michal Rovner. 1982, 1987 and 1997 he participated with concerts, installative works and performing arts at the documenta in Kassel

Goebbels is a professor at Justus-Liebig-University in Gießen, Institute for Applied Theater Studies, and at the European Graduate School in Saas-Fee, Switzerland.[2] Since 2006 he is the President of the Theater Academy of Hesse. In recent years Goebbels enjoyed the privilege of several guest professorships and nominations for composer-in-residence.,[1] he is member of several academies of arts (Berlin, Bensheim, Düsseldorf, Mainz, Munich), Fellow of the Institute of Advanced Studies in Berlin, Honorable Fellow at the Dartington College of the Arts and the Central School of Speech and Drama, London. 2012 he was awarded with an honorary doctorate by Birmingham City University.

He received numerous awards and honours, such as Prix Italia, Europe Theatre Prize, and 2012 the International Ibsen Award, one of the world's most prestigious theatre awards, for bringing "new artistic dimensions to the world of drama or theatre.".

In September 2010, it was announced that Goebbels was the artistic director designate for the 2012-14 seasons of the Ruhrtriennale.[4] As artistic director of this Festival Heiner Goebbels curated, produced and presented several new works by the artists Robert Wilson, Romeo Castellucci, Michal Rovner, Boris Charmatz, Robert Lepage, Jan Lauwers, Ryoji Ikeda, Douglas Gordon, William Forsythe, Lemi Ponifasio, Mathilde Monnier, Saburo Teshigawara, Anne Teresa de Keersmaeker, Rimini Protokoll, Tim Etchells, Gregor Schneider and many others.

Stage works[edit]

 * When the Mountain Changed Its Clothing (2012) Music theatre for a girl's choir. Text: Jean Jaques Rousseau, Gertrude Stein, Adalbert Stifter, Alain Robe-Grillet and others
 * I went to the house but did not enter (2008) Scenic concert in three pictures for four male voices. Text: T.S. Eliot, Maurice Blanchot, Samuel Beckett, Franz Kafka
 * Stifters Dinge (2007) Installative Performance
 * Eraritjaritjaka - musée de Phrases (2007) music theatre for actor and string quartett, words by Elias Canetti
 * Landschaft mit entfernten Verwandten (2002) Opera for ensemble, choir and soloists. Texts and motifs by Giordano Bruno, Arthur Chapman/Estelle Philleo, T.S. Eliot, Francois Fénelon, Michel Foucault and others
 * Hashirigaki (2000) music theatre with words by Getrude Stein
 * ...meme soir (2000) music theatre
 * Eislermaterial (1998) staged concert for Ensemble with music by Hanns Eisler
 * Max Black (1998) music theatre with words by Georg Christooh Lichtenberg, Paul Valery, Ludwig Wittgenstein and Max Black
 * Schwarz auf Weiss (1996) Music theatre for eighteen musicians. Text: Edgar Allan Poe, John Webster, T.S. Eliot, Maurice Blanchot
 * Die Wiederholung / La Reprise / The Repetition (1995) music theatre with words by Sören Kierkegaard, Alain Robbe-Grillet and Prince
 * Ou bien le débarquement désastreux (1993) music theatre with words by Joseph Conrad, Heiner Müller and Francis Ponge

Orchestra works[edit]

 * Ou bien Sunyatta (2004) for kora, voice and orchestra
 * Notiz einer Fanfare (2003) for big orchestra
 * Aus einem Tagebuch (2002/03) Short diary entries for orchestra
 * Walden (1998) for extended orchestra and speaker. Text: H. D. Thoreau
 * Industry and Idleness (1998) for orchestra
 * Surrogate Cities (1993/94) for mezzo-soprano, voice, sampler and big orchestra. Text: Heiner Müller, Hugo Hamilton, Paul Auster

Ensemble works[edit]

 * Songs of Wars I have seen (2007) staged concert for Ensemble with words by Gertrude Stein
 * Schlachtenbeschreibung (2002) for bariton and ensemble with words by Leonardo da Vinci
 * Samplersuite from Surrogate Cities (1994) for ensemble
 * Herakles 2 (1991) for seven instruments
 * La Jalousie (1991) Noises from a novel for speaker and ensemble. Text: Alain Robbe-Grillet
 * Red Run (1998/91) Nine Songs for Eleven Instruments

Chamber music[edit]

 * The Lovesong of J. Alfred Prufrock (T.S.Eliot), "The Excursion into the Mountains" (Franz Kafla), "Worstward Ho"(Samuel Beckett) (2008) for four voices
 * Bagatellen (1986-2006) for violin and sampler and clarinet ad lib.
 * And We Said Good Bye (2002) from Landschaft mit entfernten Verwandten for flute, clarinet and playback-CD
 * Harrypatari (1995/96) from Schwarz auf Weiß for zither, marimba, cimbalom, clavichord and e-bass
 * In the Basement (1995/96) for oboe, clarinet, bassoon and electronic feed
 * Toccata for Tea pot and Piccolo (1995/96) from Schwarz auf Weiß for Piccolo and tea pot

Installative works[edit]

 * Maelstromsüdpol site specific installation with Heiner Müller, Erich Wonder 1987 (documenta Kassel), 1988 (ars electronica Linz and Berlin)
 * Timée 2000 soundinstallation with words by Plato
 * Fin du Soleil2000 soundinstallation
 * Genko An 2008 (Berlin), 2012 (Darmstadt), 2014 (Lyon) site specific visual and sound-installation
 * Stifters Dinge - The Unguided Tour 2012